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Relatıng "quadrıga" as a group of four horses to "four horsemen of the apocalypse" and artıstıc reflectıons

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dc.contributor.author Göğebakan, Yüksel
dc.date.accessioned 2019-08-28T07:20:35Z
dc.date.available 2019-08-28T07:20:35Z
dc.date.issued 2017
dc.identifier.citation Göğebakan, Y. (2017). Relatıng "quadrıga" as a group of four horses to "four horsemen of the apocalypse" and artıstıc reflectıons. Cilt:7 Sayı:1, 104-126 ss. tr_TR
dc.identifier.uri http://hdl.handle.net/11616/13712
dc.description.abstract History of art may actually be considered the history of humanity. The work of arts has had a continuity in similar forms, which has led to a connection between the past and the future. One of the historical images within this continuity is the artistic compositions featuring a chariot drawn by four horses (Quadriga). In this phenomenon, which has been a subject of art for thousands of years, why horses were the animals used, why there were four of them, why the same characteristics were used in different belief systems, and whether these similarities were coincidence or out of inspiration have been considered questions to be answered. tr_TR
dc.language.iso eng tr_TR
dc.publisher Anadolu unıv, fen bılımlerı enstıtusu, eskısehır, 26470, turkey tr_TR
dc.rights info:eu-repo/semantics/restrictedAccess tr_TR
dc.subject Quadriga tr_TR
dc.subject Art tr_TR
dc.subject Four Horsemen of the Apocalypse tr_TR
dc.subject Artistic Interaction tr_TR
dc.subject Cultural Interaction tr_TR
dc.title Relatıng "quadrıga" as a group of four horses to "four horsemen of the apocalypse" and artıstıc reflectıons tr_TR
dc.type article tr_TR
dc.relation.journal Anadolu unıversıtesı sanat & tasarım dergısı-anadolu unıversıty journal of art & desıgn tr_TR
dc.contributor.department İnönü Üniversitesi tr_TR
dc.identifier.volume 7 tr_TR
dc.identifier.issue 1 tr_TR
dc.identifier.startpage 104 tr_TR
dc.identifier.endpage 126 tr_TR


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