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    Comparison of a set of savak tribe carpets to the others weaved around anatolia in composition
    (İnönü Üniversitesi Sanat ve Tasarım Dergisi, 2017) Aksoy, Elif; Taraşlı, Latif
    This article, aim introduces the hand knotted carpets that reflect the culture and life styles of Şavak, a nomadic tribe living in Tunceli and Elazig regions. With the migration of the tribe from Central Asia to Anatolia, the traditions and material and moral values they brought along kept living in Anatolia as well. Hence, this reveals itself in the art of weaving. Anatolia has a highly important potential thanks to both its cultural diversity and allowing immigrants during its long history. Therefore, the art objects coming out of the cultural and folkloric values of the Turkmens of Şavak, who migrated from the Central Asia and contributed to the development of the cultural diversity in Anatolia, are all important ethnologically. In this article, the carpets of Şavak tribe and the carpets in the other regions of Anatolia will be compared compositionally. Keywords: Turkmen Rose, Şavak Region, Turkmen Carpets, Free Form of Holbein Rose, Stockbreeding, Nomadic.
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    Cultural herıtage and weavıngs: femınıne hıstorıc garments ın Harpoot from the nıneteen to the twenty centurıes
    (İnönü Üniversitesi, 2015) Aksoy, Elif
    Feminine silk fabrics in the inventory of Elazig Ethnography and Archaeology Museum are handled in this study. Feminine fabrics belonging to 19th and 20th centuries, which are essentially the subject of the article, were investigated in the museum warehouse. For the sake of taking photographs, technical and compositional characteristics of the fabrics were thoroughly examined. The aim of this study is to introduce the textile fabrics produced in the region artistically and aesthetically, and to give information about the senses of art and the life styles of the Armenian and Turkish publics lived in Harpoot (East Anatolia) for addressed period of time. In this study, findings revealed that the ornaments on the fabric floors in the museum were formed through a method similar to Zili technique, which is a kirkitli plain weave method with three yarns system. Historical background of Harpoot region silk garments are given in order to have a better understanding of historic textiles and cultural heritage frameworks. Artefacts revealed a valuable source of information about the culture and how it expressed itself in one of the key ways of Armenian identity as a minority population in the Islamic society of Harpoot.
  • Küçük Resim
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    Cultural herıtage and weavıngs: femınıne hıstorıc garments ın Harpoot from the nıneteen to the twenty centurıes
    (İnönü Üniversitesi, 2016) Aksoy, Elif
    Feminine silk fabrics in the inventory of Elazig Ethnography and Archaeology Museum are handled in this study. Feminine fabrics belonging to 19th and 20th centuries, which are essentially the subject of the article, were investigated in the museum warehouse. For the sake of taking photographs, technical and compositional characteristics of the fabrics were thoroughly examined. The aim of this study is to introduce the textile fabrics produced in the region artistically and aesthetically, and to give information about the senses of art and the life styles of the Armenian and Turkish publics lived in Harpoot (East Anatolia) for addressed period of time. In this study, findings revealed that the ornaments on the fabric floors in the museum were formed through a method similar to Zili technique, which is a kirkitli plain weave method with three yarns system. Historical background of Harpoot region silk garments are given in order to have a better understanding of historic textiles and cultural heritage frameworks. Artefacts revealed a valuable source of information about the culture and how it expressed itself in one of the key ways of Armenian identity as a minority population in the Islamic society of Harpoot.