Resim boyalarında ışık haslığının uygulamalı incelenmesi
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Dosyalar
Tarih
2013
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
İnönü Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Sanatçılar tuval üzerine resim yaparken genellikle yağlı boya, su bazlı yağlı boya ve akrilik boyalar
kullanmaktadırlar. Üzerine resim yapılan tuval bezlerinin yüzeyi astarlanarak kullanıma hazır hale
getirilmektedir. Çalışmada, tuval bezine uygulamak için resim yaparken en çok tercih edilen yağlı boya ve
akrilik ile su bazlı yağlı olmak üzere 3 çeşit boya tekniği seçilmiştir. Resim altı malzemesi olantuval bezi
üzerine, aynı renk tonundaki kırmızı (Cadmium Red Hue) boyalar sabit baskı basıncı ile eşit miktarda şerit
zemin boya olarak uygulanmıştır. Uygulanan boyaların tam kuruduktan sonra Spektrofotometre ile L*a*b*
değeri ölçülmüştür. Boyanın uygulandığı tuval bezi Blue Wool Scale ile yanyana Solarbox cihazına koyularak
300 saat 1500 watt UV ışık altında otobar filtre ile soldurmaya maruz bırakılmıştır. Soldurma sonrası rengin
Spektrofotometre ile tekrar L*a*b* değeri ölçülerek sapması tespit edilmiştir. Ayrıca soldurulmuş boya Blue
Wool Scale ile yanyana konulup mukayese edilerek ışık haslığı değeri belirlenmiştir. Sonuçlar tablo ve
grafiklerle gösterilmiştir.
Artists generally use oil paints, water based oil paints and acrylic paints to paint on canvas or cardboard. In order to be prepared for painting the surface of the canvas fabrics are primed. In this investigation 3 types of oil and acrylic based paints, which are and commonly used in the art of painting, were chosen to apply onto the canvas. Onto the canvas base which was to be painted on, the same toned red paints (Cadmium Red Hue) were applied with constant print pressure and equal amount as surface paint. After drying the L*a*b* value of the printed paints were measured with the Spectrophotometer. The paints printed on the cardboard were exposed to be faded together with Blue Wool Scalein a Solarboxunder 1500 watt UV rays for 300 hours by using autobar filter. After fading, the deviation in colour was determined by measuring the L*a*b* value with the Spectrophotometer. Also the light fastness value of the paint was determined by comparison to the Blue Wool Scale. Results are shown in tables and graphs.
Artists generally use oil paints, water based oil paints and acrylic paints to paint on canvas or cardboard. In order to be prepared for painting the surface of the canvas fabrics are primed. In this investigation 3 types of oil and acrylic based paints, which are and commonly used in the art of painting, were chosen to apply onto the canvas. Onto the canvas base which was to be painted on, the same toned red paints (Cadmium Red Hue) were applied with constant print pressure and equal amount as surface paint. After drying the L*a*b* value of the printed paints were measured with the Spectrophotometer. The paints printed on the cardboard were exposed to be faded together with Blue Wool Scalein a Solarboxunder 1500 watt UV rays for 300 hours by using autobar filter. After fading, the deviation in colour was determined by measuring the L*a*b* value with the Spectrophotometer. Also the light fastness value of the paint was determined by comparison to the Blue Wool Scale. Results are shown in tables and graphs.
Açıklama
İnönü Üniversitesi Sanat ve Tasarım Dergisi. (2013). Cilt:3, Sayı:8, 165-171 ss.
Anahtar Kelimeler
Işık haslığı, Yağlı boya solması, Akrilik boya solması, Su bazlı yağlı boya solması, Renk farkı, Lightfastness, Fading of Oil Paints, Fading of Acrylic Paints, Fading of Water Based Oil Paints, Color Difference
Kaynak
İnönü Üniversitesi Sanat ve Tasarım Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
3
Sayı
8
Künye
Yalçın Wells, Ş. (2013). Resim boyalarında ışık haslığının uygulamalı incelenmesi. İnönü Üniversitesi Sanat ve Tasarım Dergisi. Cilt:3, Sayı:8, 165-171 ss.
