JOSEPH BEUYS’UN SANATINDA YAĞ ve KEÇE
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Tarih
2022
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info:eu-repo/semantics/openAccess
Özet
Her insan sanatçıdır, söylemiyle toplumdaki herkesi sahip oldukları sanatsal yetiler aracılığıyla sanatsal yaratım sürecine dahil eden Alman sanatçı Joseph Beuys; grafik, resim, heykel, performans, video sanatı ve enstalasyon üzerine çalışmalar yapmış çok yönlü bir sanatçıdır. Alışılmış sanat nesnesinin dışlandığı, bitmiş eser yerine sürecin değer kazandığı, insanı düşünmeye ve sorgulamaya yönelten bir sanat anlayışı benimseyen Beuys, sanatın iyileştirici gücüne de inanmaktadır. Sanatçının çalışmalarında ses ve düşünce gibi görünmez malzemelerin varlığının yanı sıra geçmişi mitsel öyküye uzanan keçe ve yağ önemli yere sahip olan nesnelerdir. Mite göre esir kaldığı dönemlerde sanatçıyı yeniden hayata bağlayan yağ ve keçe ikilisi, sanatçının ileride gerçekleştireceği yapıtlarında da sıkça karşımıza çıkacak ve Beuys’un sanatının temel malzemelerinden olacaktır. Betimsel tarama modeli ile gerçekleştirilen araştırmada, Beuys’un sanat anlayışı ve yapıtları ile ilgili literatür taraması yapılmıştır. Araştırma, Beuys’un genellikle tercih ettiği malzemelerinden olan yağ ve keçe kullandığı eserlerle ve bu malzemeleri kullanımına yönelik görüşlerle sınırlandırılmıştır. Buna yönelik sanatçının malzeme seçiminde bağlantısı olduğu düşünülen yaşamı, sanat anlayışı ve mitsel öyküsüne de yer verilmiştir. Araştırma bulgularına göre yağ ve keçeyi sembolik anlamlar yükleyerek kullanan sanatçının bu malzemeleri, dönüşümün, enerjinin, yalıtımın, iradenin, hayata bağlayıcılığın, toplumsal sağalmanın birer simgesi olarak kullandığı görülmüştür.
German artist Joseph Beuys included everyone in the creation process through their artistic abilities with the words Every person is an artist. He was a versatile artist who worked on graphics, painting, sculpture, performance, video art and installation. Beuys also believed in the healing power of art, adopting an understanding in which the ordinary art object is excluded, in favour of the value of the finished work which leads people to think and question. In addition to the existence of invisible materials such as sound and thought in the works of the artist, both felt and oil, which can be seen in history and mythology, have an important place. According to the myth, oil and felt, which reconnected the artist to life during his captivity, frequently appeared in the artist's future works and became one of the basic materials of Beuys' art. In the research carried out using the descriptive scanning model, a literature review was conducted on Beuys's understanding of art and his works. The research is limited to the works in which oil and felt are used, which were among the materials that Beuys generally preferred, and the views on the use of these materials. This is then related to his life, and his understanding of art and mythology. According to the research findings, it has been seen that the artist, uses oil and felt these as symbols of transformation, energy, insulation, will, binding to life, and social recovery.
German artist Joseph Beuys included everyone in the creation process through their artistic abilities with the words Every person is an artist. He was a versatile artist who worked on graphics, painting, sculpture, performance, video art and installation. Beuys also believed in the healing power of art, adopting an understanding in which the ordinary art object is excluded, in favour of the value of the finished work which leads people to think and question. In addition to the existence of invisible materials such as sound and thought in the works of the artist, both felt and oil, which can be seen in history and mythology, have an important place. According to the myth, oil and felt, which reconnected the artist to life during his captivity, frequently appeared in the artist's future works and became one of the basic materials of Beuys' art. In the research carried out using the descriptive scanning model, a literature review was conducted on Beuys's understanding of art and his works. The research is limited to the works in which oil and felt are used, which were among the materials that Beuys generally preferred, and the views on the use of these materials. This is then related to his life, and his understanding of art and mythology. According to the research findings, it has been seen that the artist, uses oil and felt these as symbols of transformation, energy, insulation, will, binding to life, and social recovery.
Açıklama
Anahtar Kelimeler
Kaynak
YEDİ: SANAT, TASARIM VE BİLİM DERGİSİ
WoS Q Değeri
Scopus Q Değeri
Cilt
27
Sayı
27
Künye
ŞAHİN D (2022). JOSEPH BEUYS’UN SANATINDA YAĞ ve KEÇE. YEDİ: SANAT, TASARIM VE BİLİM DERGİSİ, 27(27), 125 - 135. 10.17484/yedi.1015346
