Romantik dönemde senfonik şiir üzerine bir inceleme: Liszt Mazeppa örneği
Küçük Resim Yok
Tarih
2018
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
İnönü Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
ÖZET "Romantik Dönemde "Senfonik Şiir Üzerine Bir İnceleme: Liszt Mazeppa Örneği" başlıklı bu tez, F. Liszt'in senfonik s?iirlerinden Mazeppa adlı eserinin program, armoni ve biçim arasındaki ilis?kiyi incelemektedir. Bu ilis?kiyi derinden ve açıkça analiz etmek için yapısal ve içeriksel analiz en uygun biçimiyle gelis?tirilmis?tir. Tarihsel olarak Liszt'in senfonik s?iirlerine sonat formu içinde yaklas?mak ya da sadece eklenmis? programla beraber ele alındıg?ında anlam bulacak bir form olarak görme düs?üncesi kolaya kaçılan bir düşünce olmus?tur. Bu yüzden her iki fikir de bu analiz içinde dikkatlice ele alınıp incelenmis?tir. Yazılmıs? olan programların otantiklig?i, tarihi tartıs?ılmıs?, mümkün ve uygun oldug?u her yerde programın bir analizi dahil edilmis?tir. Liszt'in bir programın özünü çıkarma biçiminin anlas?ılıs?ı, ki sıklıkla bir tez, antitez, sentez modeli içinde sonuçlanır, senfonik s?iirlerdeki büyük yapısal örgütlenmeyi anlamada önemli kılınmıştır. Herbir senfonik s?iirin derin analizi öncesinde motiflerin, bölmelerin ve ton merkezlerinin fonksiyonlarını ve birbirileriyle ilis?kisini gösteren bir grafik eklenmis?tir. Bu grafikler formal/yorumsal teknikleri içermektedir ve zaman unsurunun dahil edilmesi analizin önemli bir kısmıdır ki bu tezin incelenis?inde özellikle amaçlanmıs?tır. "Motif tipi" kavramı, programların senfonik s?iirlerde ifade edilis? biçiminin yolu olarak sekvens yapılarının (dog?al olarak armonik modellerin karmas?ıklıg?ının) incelenmesiyle birlikte gelis?tirilmis?tir. Bu s?iirlerin analizleri sonat formu üzerine kolaylıkla oturtulamadığından ve her bir s?iirin, dog?rudan programından aldıg?ı kendine has bir yapısı oldug?u düs?üncesi, senfonik s?iirlerin detaylı analizinde zor bir ayrımolmuştur. Bu yüzden program ortak bir noktada desteklenememiştir. Bu doğrultuda bestecinin programlarının genellikle motif tipleri ve genellikle sekvensler içinde ifade edilen uygun armoni açısından ifade edildig?i sonucuna ulas?ılmıs?tır. Yani, program daha geleneksel ve biçimsel yapıların özelliklerini, sunan s?iirlerin bireyin bütünsel düşünüşü ile sentezlenerek farklı bir bakış açısıyla ifade edilmis?tir. Anahtar Kelimeler: Liszt, Romantik Dönem, Senfonik Şiir, Mazeppa
This thesis, titled "An Examination on Symphonic Poetry in the Romantic Period: The Liszt Mazeppa Example", examines the relationship between Mazeppa, the symphonic poem of F. Liszt, and the program, harmony and form. Structural and contextual analysis has been developed in the most appropriate way to analyze this relationship deeply and clearly. Historically, it was a thought that easily escaped to approach Liszt's symphonic poems in sonata form, or as a form that would be meaningful only when taken together with the added program. So both ideas have been carefully examined and analyzed in this analysis. The authenticity of the written programs and the history is discussed and an analysis of the program is included wherever possible and convenient. The understanding of Liszt's way of extracting the essence of a program, often resulting in a thesis, an antithesis, a synthesis model, has made it important to understand the great structural organization in symphonic poems. Before the deep analysis of each symphonic poem, a graph showing the relationship between the functions of the motifs, the divisions and the tone centers, and their relation to one another has been added. These graphs involve formal / interpretive techniques and an important part of the analysis of the involvement of time elements, which is specifically aimed at in the study of this thesis. The concept of "motif type" has been developed in conjunction with the examination of the sequence constructions (naturally the complexity of harmonic models) as a way of expressing programs in symphonic poems. The analysis of these poems is a difficult distinction in the detailed analysis of symphonic poems, since the analyzes cannot be placed easily on the sonata form and each poem has its own unique structure taken from the direct program. As a result, the program cannot be supported at a common point. Accordingly, we have concluded that the program of the composer has generally been expressed in terms of motif types and the appropriate harmony expressed in the sequences. That is, the program has been expressed in a different way by synthesizing the characteristics of more traditional and formal structures with the presenting poems of the individual as a whole. Keywords: Liszt, Romantic Period, Symphonic Poem, Mazeppa
This thesis, titled "An Examination on Symphonic Poetry in the Romantic Period: The Liszt Mazeppa Example", examines the relationship between Mazeppa, the symphonic poem of F. Liszt, and the program, harmony and form. Structural and contextual analysis has been developed in the most appropriate way to analyze this relationship deeply and clearly. Historically, it was a thought that easily escaped to approach Liszt's symphonic poems in sonata form, or as a form that would be meaningful only when taken together with the added program. So both ideas have been carefully examined and analyzed in this analysis. The authenticity of the written programs and the history is discussed and an analysis of the program is included wherever possible and convenient. The understanding of Liszt's way of extracting the essence of a program, often resulting in a thesis, an antithesis, a synthesis model, has made it important to understand the great structural organization in symphonic poems. Before the deep analysis of each symphonic poem, a graph showing the relationship between the functions of the motifs, the divisions and the tone centers, and their relation to one another has been added. These graphs involve formal / interpretive techniques and an important part of the analysis of the involvement of time elements, which is specifically aimed at in the study of this thesis. The concept of "motif type" has been developed in conjunction with the examination of the sequence constructions (naturally the complexity of harmonic models) as a way of expressing programs in symphonic poems. The analysis of these poems is a difficult distinction in the detailed analysis of symphonic poems, since the analyzes cannot be placed easily on the sonata form and each poem has its own unique structure taken from the direct program. As a result, the program cannot be supported at a common point. Accordingly, we have concluded that the program of the composer has generally been expressed in terms of motif types and the appropriate harmony expressed in the sequences. That is, the program has been expressed in a different way by synthesizing the characteristics of more traditional and formal structures with the presenting poems of the individual as a whole. Keywords: Liszt, Romantic Period, Symphonic Poem, Mazeppa
Açıklama
Anahtar Kelimeler
Müzik, Music
