Özgün seramik yüzeylerin iç mekân düzenlemelerinde kullanımı
Yükleniyor...
Dosyalar
Tarih
2008
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
İnönü Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Bu arastırmaya seramigin baslangıçtan günümüze kadar olan gelisim sürecinde, diger sanat dalları gibi çagdas seramik sanatına nasıl dönüstügüyle baslanmıstır. Çagdas seramik sanatında soyut anlatım biçimlerine yönelme, öz ve biçim iliskisinin sorgulanması gibi sanatın elestirel yaklasımlarını da içine almasıyla kapsamını genisletmesi arastırılmıstır. Mühendislik bilimleri teknolojilerinden ve sanatın diger dallarından da beslenerek gelisen seramik sanatı artık içerik-biçim-renk anlatımı ile de felsefi açıdan da kendini ortaya çıkarmayı basardıgı gözlenir. Arastırma kapsamında tasarının tanımı, tasarıdaki bütünlük ilkesinden hareketle seramik çalısmaların olusum asamaları ve içerdikleri anlamlar tartısılmıstır. Biçim-içerik ve özün ayrımı da tanımlanarak arastırma genisletilmistir. Son bölümde, yapılan seramiklerin görsellerini ve yüklendikleri anlamlar tartısılıp yorumlanarak arastırma sonuçlandırılmıstır. Anahtar Kelime: Seramik, Mekan, Özgün, Sanat Seramigi.
This research begins with an account of how ceramic has evolved into the modern art of ceramic like the other arts since its outset until now. Moreover, the tendency towards the forms of abstract expression in modern art of ceramic and the extension of its scope to include the artistic critical approaches such as questioning the essence and form were analyzed in this research. It is observed that the art of ceramic, which has improved as being fed by other fields of art and the technologies in engineering, has succeeded to stand out both in terms of content-form-color expression and in philosophical terms. In this work, also the term design was defined, and the gradual steps of creating a ceramic work based on the integrity principle of design and the meanings they convey were discussed. The work was extended to include the distinction between form-content and essence. The work was concluded with a discussion and interpretation of the visual aspects of the ceramic and the meanings they convey. Keywords: Ceramic, Place, Original, Artistic ceramic.
This research begins with an account of how ceramic has evolved into the modern art of ceramic like the other arts since its outset until now. Moreover, the tendency towards the forms of abstract expression in modern art of ceramic and the extension of its scope to include the artistic critical approaches such as questioning the essence and form were analyzed in this research. It is observed that the art of ceramic, which has improved as being fed by other fields of art and the technologies in engineering, has succeeded to stand out both in terms of content-form-color expression and in philosophical terms. In this work, also the term design was defined, and the gradual steps of creating a ceramic work based on the integrity principle of design and the meanings they convey were discussed. The work was extended to include the distinction between form-content and essence. The work was concluded with a discussion and interpretation of the visual aspects of the ceramic and the meanings they convey. Keywords: Ceramic, Place, Original, Artistic ceramic.
Açıklama
Anahtar Kelimeler
Güzel Sanatlar, Fine Arts
Kaynak
WoS Q Değeri
Scopus Q Değeri
Cilt
Sayı
Künye
Kuran, Ş. (2008). Özgün seramik yüzeylerin iç mekân düzenlemelerinde kullanımı. Yayımlanmış yüksek lisans tezi, İnönü Üniversitesi, Malatya.
