Analysis of Diego Velazquez’s “Rokeby Venus” According to the Method of Ichonographic and Iconological Art Critisizm

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dc.authorscopusid59182681000
dc.authorscopusid59182364600
dc.contributor.authorŞahin D.
dc.contributor.authorÖzkeş Ş.N.
dc.date.accessioned2024-08-04T20:03:48Z
dc.date.available2024-08-04T20:03:48Z
dc.date.issued2022
dc.departmentİnönü Üniversitesien_US
dc.description.abstractDiego Velazquez, one of the important painters of the Baroque period, is an artist who draws attention with his realistic and natural expression, use of different light and perspectives in his works. The artist, who brings together intellectual and mythological subjects in his works, has gained fame especially with his portraits. The work named “Rokeby Venus,” which is among the works of the artist and still preserves its mystery, has an important place in the art of painting both in Spain and in the world. Differences such as the fact that Venus was drawn with her back to the audience for the first time until that day, mastery in the technique used, and the mythological meanings it contains gave the work a multi-layered quality. In this study, based on Erwin Panofsky’s “Iconographic and Iconological Art Criticism” method, the work of “Rokeby Venus” by Velazquez was analyzed. Panofsky’s method is a method that has been accepted in the fields of art and art education and continues to be used today. While analyzing the work, preiconographic description, iconographical analysis, and iconological interpretation were used. It has been seen that with this method, works of art can be evaluated more accurately. With the research done, various meanings of the work named “Rokeby Venus” were encountered and it was concluded that it is a masterpiece that still preserves its mystery. © 2022, Ataturk Universitesi. All rights reserved.en_US
dc.identifier.doi10.5152/AI.2022.1003510
dc.identifier.endpage48en_US
dc.identifier.issn2822-2865
dc.identifier.issue40en_US
dc.identifier.scopus2-s2.0-85196637471en_US
dc.identifier.scopusqualityN/Aen_US
dc.identifier.startpage42en_US
dc.identifier.trdizinid1173980en_US
dc.identifier.urihttps://doi.org/10.5152/AI.2022.1003510
dc.identifier.urihttps://search.trdizin.gov.tr/yayin/detay/1173980
dc.identifier.urihttps://hdl.handle.net/11616/92112
dc.identifier.volume2022en_US
dc.indekslendigikaynakScopusen_US
dc.indekslendigikaynakTR-Dizinen_US
dc.language.isotren_US
dc.publisherAtaturk Universitesien_US
dc.relation.ispartofArt and Interpretationen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectArt criticismen_US
dc.subjectDieogo Velazquezen_US
dc.subjectErwin Panofskyen_US
dc.subjectichonologyen_US
dc.subjecticonographyen_US
dc.titleAnalysis of Diego Velazquez’s “Rokeby Venus” According to the Method of Ichonographic and Iconological Art Critisizmen_US
dc.title.alternativeErwin Panofsky’nin İkonografik ve İkonolojik Eleştiri Yöntemine Göre Diego Velazquez’in “Aynadaki Venüs” İsimli Eserinin Analizien_US
dc.typeArticleen_US

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